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MAKING YOUR OWN TAROT DECK
by Arastorm
the Golden
Tarot cards are so personal and so independently psychically charged
that for anyone with even minor artistic talent, making your own deck is
worth the trouble. Especially for novices, the concentration put into each
card while making it is very useful in learning the meanings of the cards.
Sure, it will take from weeks to a month to finish. But if you buy a new
deck, it will probably take that long to charge the deck anyway. Making
your own deck is especially good if you plan to read for yourself; the
symbols will be yours. If you plan to read primarily within the SCA,
you can design your pack to meld nicely with your persona, Viking,
Elizabethan, or whatever, without putting out $30 for the reproduction
Visconti deck (although I AM rather partial to the Viking deck). But most
importantly, you can alter the symbols if you like. People in the SCA
don't see Kings, Queens and Knights the same way people outside the
SCA do. It's possible you might want to SERIOUSLY alter the deck and
change the pages for Companions (of the Laurel and Pelican). It's your
deck, it's your decision. For instance, I don't like the various symbolisms
used for the Death card. Death as I generally read it is a release, renewal
or rebirth. So I drew a glowing golden spirit joyously escaping from a grey,
dead body. (To me, the Black Rider and the Reaper do not mean rebirth. Maybe a sheela-na-gig...?) First, collect your materials. A deck of 3x5 blank index cards (bigger
ones are harder to handle) and paints or colors are the minimum. Of
course, my first deck had many blue lines and one pink one as a back
design and that didn't hurt it, except aesthetically. Blank would be better.
Better still would be to print a personal sigil, or your arms, or a good luck
symbol like a pentagram on the back. You could have a rubber stamp made
most easily, or silk-screen or block printing --all would do, according to
your talent. Make at least a hundred of these blanks before you start the
individual art on the front. It would be a shame to smear the art on the
back if the front were perfect. And don't use a medium that will change
the weight/thickness of the cards (as some printing inks or paints could
do. It would play havoc when you tried to shuffle the cards. Other materials
you may want to assemble are a compass, ruler, pencils, and erasers.
These I would keep together and not use for anything else until the project
was done. This will avoid psychic contamination, but more, this will help
avoid running out of an important color in mid-project. Water-color with pen
and ink detail works fine. I used felt-tip pens for my first deck. If you want to,
you can use oils and gold leaf, but remember, this artwork will be handled
and handled. Make it sturdy. After stamping the backs, the first thing you want to make is a stencil
for the outline of the picture area. It'll make the finished task look more
uniform. You can make it out of another card, although this might not last
through the whole deck, or out of a piece of plastic, which is sturdier.
Either can be cut with razor blade or sharp knife.
Keep a sketchbook with you all the time; don't leave it with the rest of
your supplies. That way you can develop designs and catch inspirations
when they hit you. Work on them until you are sure they are just right for
you before you put them onto the cards. I would not expect that major
changes would be needed for every card. After all, these symbols have
been worked on for centuries. You are not supposed to be making up
your own symbols, just making them more meaningful to you. When I made my cards, I divided them and did each one on a night
that seemed astrologically compatible with the card. However, if I got a
strong urge to do a certain card one night, I'd do it. You should also use
your intuition for correcting my chart of days. I put it together
from Eden Gray, Crowley, and Cavendish's Black Arts. You could use the
planetary ruler for the day of the week; or you could use the sign that the
Moon is in, if you have a calendar that shows these things; or you could
match days and cards up numerologically. This isn't necessary, of course
, but it should give the cards a little extra psychic kick. I would do the Fool
on your own ruling day, but if you don't see yourself in it, choose a different
day. Another example of going by your own feelings in the cards is the
Hanged Man. If you associate him with Christ, you'll probably want to do it
on Sunday. However, if you associate it with Odin, you will want to do it
on Wednesday. Another book it would be good for a beginner to study while making his cards
is The Dictionary of the Tarot by Butler. It will give you a variety of symbols
(and a consensus) to choose from for each card. One thing it doesn't cover
too well, though, is the symbolism of colors. This is a vital aspect of
working out your own cards, so please look into it further. In closing, I have two more suggestions. One is to wrap your finished
cards in a cloth or box from when you start to make it; don't wait to
complete the entire deck. Each card is charged at its completion,
as opposed to the usual gradual charging of the full deck. And second,
although a master can give you a lot of help, don't let your master dictate
your designs. It's your deck. Own it
© 2002 Virginia Fair Richards-Taylor, known in the SCA as Arastorm the
Golden. Used by Permission